The Energy And Environmental Design System - 2055 Words

In reaction to our current global environmental crisis, the idea of eliminating negative environmental impacts attracts environmental policy makers and markets to sustainable or green design. As a result, a variety of industries have adopted sustainable design, including consumer goods, fashion, landscape design and architecture to meld striking design and function. However, the realm of architecture exhibits a unique challenge to sustainability. Construction projects generally utilize large amounts of material, produce waste and oftentimes involve vetting the preservation of buildings that have historical significance against the desire for modern designs. To help alleviate this issue, the introduction of the LEED, or Leadership in Energy†¦show more content†¦Persuading clients to embrace green design in their projects will improve the health and diversity of the inhabitants, the community, the economy and the planet. Consequently, it is up to technical writers to take acti on and help push the industry further. Keywords The keywords supporting this research question can be divided into four main themes- people/players, problems, objectives and strategy. †¢ People/Players- Audience, Clients, Ecologically conscious consumer, Stakeholders, Architecture, Building, Construction, Structure †¢ Problems- Environmental problems, Greenhouse gases, Emissions, Waste †¢ Objectives- Sustainable, Sustainability in design, Sustainable development, Green design, Green buildings, Energy conservation, Energy efficient buildings, Environmental awareness, Client preferences, Client satisfaction, Green building performance, Designing for usability †¢ Strategy- Advertising, Marketing, Promotion, Pitch, Persuasion, Green marketing strategy, Ecological marketing, Socially responsible strategies, Environmental strategy, Request for proposal (RFP), Proposal writing in business, Business communication, Document design, Visual communication Sources I. Convincing Clients to Go Green Tags: Construction industry, Green Marketing, Environmental impact, Client attitudes, Social responsibility A. Study Summary: The majority of construction clients are unaware of the negative environmental impacts that theirShow MoreRelatedThe Energy And Environmental Design System Essay1507 Words   |  7 Pages INTRODUCTION In reaction to our current global environmental crisis, the idea of eliminating negative environmental impacts attracts environmental policy makers and markets to sustainable or green design. As a result, a variety of industries have adopted sustainable design, including consumer goods, fashion, landscape design and architecture to meld striking design and function. However, the realm of architecture exhibits a unique challenge to sustainability. 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In the initial design stage of buildings, through LCA can help design decisions, such as the appropriate use of zero energy building techniques. To quantitatively assess the energy consumption and environmental impact among all above stages, LCA is undoubtedly the best choice that can full evaluate the impacts during extraction of raw materialsRead MoreImplementing Environmental Aspects Into Business Operations And Product Standards1465 Words   |  6 Pages One of the main goals for the design team is to improve the environment and to achieve sustainable development. A number of tools have been created by LEED in order to improve the quality in construction projects. These advantages have changed how buildings are designed, assembled and maintained. During the design phase the following items need to be deeply thought out to achieve a go od quality building: 1) Energy Conservation 2) Comfortable lightening, sound, and temperature 3) Acquisition, InstallationRead MoreA Design Strategy For Mixed Mode System1673 Words   |  7 Pagesmechanical system, reaching the optimum performance by switching between them. Architects and building designers are exploring mixed-mode as a way of combining the best features of air-conditioned and naturally-ventilated buildings. When natural ventilation cant afford indoor comfort it switched to mechanical ventilation but revert to mechanical systems for heating, ventilation and air-conditioning when external conditions are deemed less favorable for occupants. this research aims to reach a design strategyRead MoreLeed Certification Essay1306 Words   |  6 Pagesprovide for their needs. Providing healthy, resource – conserving, energy-efficient buildings. â€Å"Green† building. Through this paper I will explain some of the advantages and disadvantages, different incentive programs, the effectiveness and the rating system of the LEED certified projects. (Allen and Iano 984) Leadership in Energy amp; Environmental Design (LEED) is an internationally recognized green building certification system, providing third – party verification that a building or communityRead MoreEnvironmental Costs Classification : Prevention Activities Essay1316 Words   |  6 PagesEnvironmental costs classification Prevention Activities: - Offer free coach buses to commute to and from Apple’s corporate offices(A) - Install high-definition flow sensors and sub-meters in landscaping to reduce irrigation needs (W) - Create new solar energy projects (W) - Develop an innovative cooling system to reuse water (W) - Design light and small packaging (L) - Create technologies that use paper more efficiently (L) - Form own green chemistry advisory board to minimize or eliminate toxin

Recruitment and Selection Process of Insurance - 9958 Words

Recruitment and Selection Process of Insurance Companies People are a company’s most important assets. They can make or break the fortunes of a business. In today’s highly competitive business environment placing the right people in the right position is very critical for the success of any organization. The recruitment and selection decision is of prime importance as it is the vehicle for obtaining the best possible person-to-job fit that will, contribute significantly towards the Companys effectiveness. It is also becoming increasingly important, as the Company evolves and changes, that new recruits show a willingness to learn, adaptability and ability to work as part of a team. The Recruitment Selection procedure ensures that†¦show more content†¦By active participation in the recruitment process, the areas where improvement can be bought about can be identified. Thus the whole research would be done under the guidance of external guide. It will also involve recruitment and selection processes, reading the material provide internally by the organization, information from the new employees. Introduction Of The Insurance Industry Overview The story of insurance is probably as old as the story of mankind. The same instinct that prompts modern businessmen today to secure themselves against loss and disaster existed in primitive men also. They too sought to avert the evil consequences of fire and flood and loss of life and were willing to make some sort of sacrifice in order toShow MoreRelatedA Creation Of A Human Resources Plan1384 Words   |  6 PagesIntroduction This paper is going to be about a creation of a Human Resources plan and the steps needed to create a one-person HR department. 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[pic] Submitted To: Submitted By: Preeti Dhanetwal Asha jainani M.B.A 1styear Acknowledgement The beatitude, bliss and euphoria that

Fresh Fish Free Essays

A Narrative Essay- Fresh Fish I can hear the snickers as I walk down the crowded sidewalk of Chinatown. The gossip at the vegetable stand. The grin of the fish man. We will write a custom essay sample on Fresh Fish or any similar topic only for you Order Now The chatter from the seafood restaurants. Laughter is everywhere, like a dragon’s tail winding throughout the streets. I grew up speaking English, not Chinese, the language of my ancestors. The first word out of my mouth was mommy, not mah mah. When I was 3, my parents flashed cards with Chinese characters at my face, but I pushed aside. My mom assured herself, â€Å"He will learn when he is ready. But the time never came. A decade later, I would regret that decision. February 7, 1997, Chinese New Year: My relatives and I gather in my grandmother’s three-room Mott Street apartment around the round kitchen table, half –hidden under boxes of don tot, cha siu bao and othere Chinese delicacies from the local dim sum parlor. My Uncle Alex rapidly mutters something to me in Chinese, but all I can do is stare at him quizzically and scratch my head. â€Å" Still can’t speak Chinese? † he teases me, now in English. â€Å" How old are you? 13?And you still can’t talk to your grandmother, can’t even buy a fish in Chinatown. What are you waiting for? † â€Å"Hey this is America, not China,† I reply. â€Å" You want fish for dinner? I will get some right now-with or without Chinese. † I turn to mom for permission, who reluctantly hands over a crisp $20 bill. â€Å"Remember to ask for fresh fish, sun seen yu,† she says. â€Å"You know how fussy your grandmother is with her fish. † I repeat the words to my mother, who nods in approval, then dart down the two flights of dark narrow stairs into the bright, crowded streets of Chinatown.Following the foreign sounds and the smell of the ocean around the corner of Mott Street, I find the fish stand, submerged in a sea of customers. There are salmon and croaker and flounder and sea bass, fish with big eyes, fish with shinny scales, and fish that I’ve never seen before. â€Å" I did like to buy some fresh fish,† I blurt out to the fish man. But he ignores my English words and turns to serve the next customer. The cackling of the people behind me increases with their impatience. With every second, the breath of the dragons on my back intensifies- my blood boiling- compelling to me to make my decision. What were my mother’s words again? â€Å"Seen sang yu, please,† I stutter, jabbing at the sea brass. â€Å" Very seen sang,† I repeat, this time, beaming at my simple eloquence. I had spoke Chinese, used it to communicate with my own people. I had†¦ †¦ told a joke? The fish man suppress grin, but the crowd erupts with laughter and chuckles and snickers. They are Chinese; I am Chinese. I should feel right home. Instead, I am the laughingstock, a disgrace to the language. My face turns red, like the hung bao, the red envelopes exchanges on Chinese New Year.Then, I am racing back to my grandmother’s quiet apartment, the fish and the laugher in the distance. I return to the apartment empty-handed, except for the now-wrinkled twenty dollar bill the I clutch tightly in my pocket. â€Å"I asked for seen sang yu, fresh fish,† I stammer when the door opens, â€Å" just like you told me to – I mean – didn’t you tell me to say that ? But they just laughed. † For a moment, my mother simply grins to herself saying nothing, holding me in suspense. Then she explains, â€Å" No, sun seen is fresh fish, not seen sang.You asked for a teacher fish. Even though fish travel in schools, you would have a really hard time trying to find the teacher. † My jaw drops. Should I laugh or cry? I still walk down Mott street to visit my grandmother – past the fish man, past the vegetable stands, past the restaurant- concealing the fact that I cannot speak Chinese. Sometimes I laugh at my fish incident, but in the end, the joke is on me. Every grin is a bond withering away; each chuckle, a culture lost; every giggle, my heritage fading away. How to cite Fresh Fish, Papers

Literal and metaphorical ties in Waiting for Godot Essay Example For Students

Literal and metaphorical ties in Waiting for Godot Essay Set against the backdrop of desolation and inactivity, Beckett presents us with the underlying nature of human relationships, through the social dynamics of Pozzo and Lucky, and Vladimir and Estragon. We are shown their emotional reliance, interdependence, and inability for severance, through the extended metaphor of ‘ties’ and the ubiquitous imagery of ropes and ‘being tied’. Pozzo and Lucky are tied both physically, through a rope, and emotionally, through their need for each other. Vladimir and Estragon are tied less concretely, but no less significantly, through their emotional interdependence and through other, more literal ties, such as the rope they talk about hanging themselves with. These ties seem to act as an equaliser, bringing forward the similarities of these complex relationships, and putting forward universally Beckett’s main assertion in this extended metaphor – our need for human contact and companionship. The only rope we ever see in Waiting for Godot is the rope that ties Pozzo to Lucky. This seems to be the most concrete, the most solid tie in Waiting for Godot, yet its insight into the relationship of Pozzo and Lucky is verisimilar, or at least quite cursory. We are given the idea that Pozzo is the master, and Lucky is the slave, at least as far as physical aspects of their relationship goes. We see how Lucky carries Pozzo’s bags, and how he dances for Pozzo’s amusement. Yet, this idea of their relationship is only verisimilar, as it does not show how mutually involved it is, and how it is not Pozzo who has complete control. Just as Pozzo has mastery of Lucky in the physical aspect of their relationship, it is Lucky who has the mastery of the mental and emotional aspects. Lucky makes Pozzo cry, completely unexpectedly :‘P: He used to be so kind . . . so helpful . . . and entertaining . . . my good angel . . . and now . . . he’s killing me.’ (p. 27 ). Lucky makes Pozzo completely unable to act when he begins his monologue, it is Lucky who seemed to have given Pozzo all the grand ideas which he later on pontifocates. But their relationship goes on further, from a struggle for dominance, to an emotional interdependence, and inability for severance. The rope around Lucky’s neck does not just tie Lucky to Pozzo, but the both of them to each other. This relationship is not simply about this constant power-play; their struggle for dominance has become that which makes them so emotionally interdependent. Pozzo explains that Lucky ‘wants to mollify me so that I’ll give up the idea of parting with him.’ Despite all the abuse and the dysfunctions of their relationship, Lucky still wants to stay with Pozzo, he does not want to break away from him. Even Pozzo seems to ultimately not want to sever their ‘ties’. Pozz needs Lucky just as much as Lucky needs Pozzo – they need each other on both an emotional and physical level. In fact, despite all of Pozzo’s attempts at severing their bonds, we see them in the second act, even more inexplicably tied to each other, with the shortening of the rope that ties them together, and with Pozzo losing his sight. They have become closer together, an d in a very concrete and actual way, they are now both completely physically, as well as emotionally reliant. When Pozzo falls, he drags Lucky down, and they cannot stand. We see them in the second act, now completely unable to separate themselves, because of the nature of their reliance. The literal and metaphorical ropes that ties one to the other have become the ropes of their bondage. .u4c3f39da4c6f4557d6415d348ccf36fb , .u4c3f39da4c6f4557d6415d348ccf36fb .postImageUrl , .u4c3f39da4c6f4557d6415d348ccf36fb .centered-text-area { min-height: 80px; position: relative; } .u4c3f39da4c6f4557d6415d348ccf36fb , .u4c3f39da4c6f4557d6415d348ccf36fb:hover , .u4c3f39da4c6f4557d6415d348ccf36fb:visited , .u4c3f39da4c6f4557d6415d348ccf36fb:active { border:0!important; } .u4c3f39da4c6f4557d6415d348ccf36fb .clearfix:after { content: ""; display: table; clear: both; } .u4c3f39da4c6f4557d6415d348ccf36fb { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u4c3f39da4c6f4557d6415d348ccf36fb:active , .u4c3f39da4c6f4557d6415d348ccf36fb:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u4c3f39da4c6f4557d6415d348ccf36fb .centered-text-area { width: 100%; position: relative ; } .u4c3f39da4c6f4557d6415d348ccf36fb .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u4c3f39da4c6f4557d6415d348ccf36fb .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u4c3f39da4c6f4557d6415d348ccf36fb .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u4c3f39da4c6f4557d6415d348ccf36fb:hover .ctaButton { background-color: #34495E!important; } .u4c3f39da4c6f4557d6415d348ccf36fb .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u4c3f39da4c6f4557d6415d348ccf36fb .u4c3f39da4c6f4557d6415d348ccf36fb-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u4c3f39da4c6f4557d6415d348ccf36fb:after { content: ""; display: block; clear: both; } READ: A Tale Of Two Cities Essay ThesisThe ropes of Pozzo and Lucky’s relationship can also be found in the relationship of Vladimir and Estragon. Although there is a less tangible bond between Vladimir and Estragon, they are strongly still tied to each other emotionally and physically. The nature of Vladimir and Estragon’s relationship is different though in that we get the distinct idea that they are indeed cognizant of their interdependence, through the constant denial of it. Estragon, in act one, looks for affirmation from Vladimir – ‘E: We’re not tied? We’re not –’ (p.12), before being cut off, and going on to a diffe rent topic of conversation. The ties that link Vladimir and Estragon to each other are also interesting, in that we see their relationship as the less amplified version of the relationship between Pozzo and Lucky, in terms of their social dynamics. In terms of their interdependence though, while there is an emotional component to both pairs need for each other, this emotional reliance seems much stronger with Vladimir and Estragon, than Pozzo and Lucky, who are largely physically reliant. This can be seen in the second act, wherein Pozzo and Lucky could not function without each other, yet Vladimir and Estragon can still be separated, if only for a night. Their metaphorical tie through their interdependence is something which shows the duplicity of their feelings for each other. There is this sense of both love and loathing with Vladimir and Estragon – they constantly talk about separating, in the hopes of improving their situation, yet this never happens, and they never actually act upon this desire. This contradiction of thought shows itself most thoroughly in the second act, when they see each other again. Estragon delcares ‘E: Don’t touch me! Don’t question me! Don’t speak to me! Stay with me!’ (p.49). Vladimir and Estragon are trapped in this situation of waiting for Godot, of desperately trying to mask this enveloping nothingness, with idle conversation, and mutual companionship. The ties that hold these characters together seem to be their only way of combatting the blankness and loneliness of their existences. Vladimir and Estragon are bonded to each other inexplicably through their need of companionship, but they are also bonded to each other through another tie, their tie to Godot. This seems to be the central core of their relationship, and indeed it seems to be the impetus of them staying together. Throughout the text, they repeat, almost mantra-like, the exchange ‘E: Let’s go. V: We can’t E: Why not? V: We’re waiting for Godot.’ (p. 6). They stay together, under the faà §ade of waiting for Godot, using this as an attempt to rationalise their inability to change or move. They seem to be unable to stay together, simply to stave off the loneliness, or at least, they cannot admit to this entirely. They can only admit to being tied to Godot, while being in a relationship that seems to be completely based on being bonded to each other. Vladimir states: ‘V: To Godot? Tied to Godot? What an idea! No question of it For the Moment’ (p.13) They m ust use Godot in order to reason staying together, despite showing time and time again how it is in fact their emotional reliance and need for companionship that keeps them from separating. Perhaps it is this falsehood which highlights their need so effectively. We are given the idea that this need for contact and human interaction is a fundamental, basic, and universal human need. It is no coincidence that Estragon, the representation of the visceral and the physical aspects of their relationship, is most concerned with being tied. It is Estragon who wants most to be with Vladimir, just as it is Estragon who often talks about parting. What shows their need as being universal even more is the characterisation of Vladimir, Estragon, Pozzo, and Lucky. Their personalities give us the ability to see this as an entirely human message as they have no completely defining universal traits, beyond their desires. This seems to allow us to so thoroughly empathise with the characters, to feel so strongly within ourselves the need for each other that they display so powerfully on the stage. One may argue that these literal and metaphorical ties show how we find self-definition through our goals in life, and indeed, this is a valid interpretation. I would argue though that more than this, it shows how utterly lonely it is, going through life, and how we cling so strongly to these ties, that become a form of limitation and bondage, all so that we can stave off loneliness, through that human contact that has been mentioned again and again. In the end, what seems to be most moving, and most human about these characters is that they fall so easily and so willingly to entrapment, to mask the bleakness that they find themselves in.